The film archive

Lives. Histories.
Perspectives.

A selection of documentary films and factual television from Penny Wheelwright’s career.

Judy Blume in Under Wraps
Film still © National Film Board of Canada
01 / Culture & identity

Under Wraps

Across eight North American cities, this documentary examines the customs, silences, and popular culture surrounding menstruation. With contributions from Judy Blume, Judy Chicago, and Museum of Menstruation curator Harry Finley, it opens a conversation about a subject too often left unspoken.

Penny Wheelwright — Producer & writer
Director — Teresa MacInnes
Explore at the NFB
Children waving from a train in A Rough Crossing
Film still © NFB / Canadian Women Film Directors Database
02 / History / 1995

A Rough
Crossing

In 1940, British children crossed the Atlantic to find safety with Canadian families. Decades later, eight former evacuees revisit the departures, unfamiliar homes, and long separations that shaped their childhoods. A story of hospitality and belonging, told through the people who lived it.

Penny Wheelwright — Writer & producer
Director — Teresa MacInnes
Film details & credits
Wheelwright Ink Ltd. / Documentary archiveCaptive.The Story of Esther / 2005
03 / Historical documentary / 2005

Captive:
The Story of Esther

The life of Esther Wheelwright unfolds across the boundaries of colonial North America. Taken from an English settlement as a child and adopted into an Abenaki family, her story moves between communities, languages, and faiths. The film follows a woman whose life resists a simple account of identity and belonging.

Penny Wheelwright — Director & co-writer
Co-writer — Julie Wheelwright
View film record
Wheelwright Ink Ltd. / Documentary archiveA Spy’s
Life.
Kitty Harris / 2004
04 / Historical documentary / 2004

A Spy’s Life:
Kitty Harris

A documentary portrait of Kitty Harris, whose life became entangled with the secret world of espionage. Written with Julie Wheelwright and directed by Tim Southam, the film is part of Penny’s body of work exploring women’s lives within larger historical forces.

Penny Wheelwright — Co-writer
Co-writer — Julie Wheelwright · Director — Tim Southam
View film record
Wheelwright Ink Ltd. / Documentary archiveThe Orkney
Lad.
The Story of Isabel Gunn / 2001
05 / Historical documentary / 2001

The Orkney Lad:
The Story of Isabel Gunn

Isabel Gunn left Orkney for the Canadian fur trade, working for the Hudson’s Bay Company while presenting herself as a man. Directed by Anne Wheeler, the documentary revisits a remarkable life at the intersection of work, migration, and the restrictions placed on women.

Penny Wheelwright — Co-writer
Co-writer — Julie Wheelwright · Director — Anne Wheeler
View film record
Factual television / CanadaEmployable
Me.
A different perspective on ability.
06 / Factual television / Canadian series

Employable Me

What happens when employers look beyond first impressions? This documentary series follows job seekers with disabilities and neurological conditions as they identify their strengths and pursue meaningful work. The stories centre on ambition, ability, and the chance to contribute.

Penny Wheelwright — Co-executive producer
Canadian series — Thomas Howe Associates Inc.
Discover the series at AMI
Further selected projects

More from the archive.

The Other Side of the Picture

A documentary directed by Teresa MacInnes examining women’s place in the art world, with artists including Doris McCarthy, Mary Pratt, Joyce Wieland, and Judy Chicago. Listed among Penny’s documentary projects in her published industry biography. Film details ↗

Hair, There and Everywhere

A Wheelwright Ink Ltd. documentary directed by Penny Wheelwright and produced for CBC Newsworld. Production reference ↗

Teen Rebel/Teen Mom

One of the documentary projects Penny brought to television through Starry Night Productions. Directed by Teresa MacInnes. Industry biography ↗

Selected credits compiled from the NFB, Creative Pathways, the Canadian Women Film Directors Database, and film records linked above. Film stills remain the property of their respective rights holders. Typographic panels identify titles; they are not original film posters.